Search Results for 'A Plague Tale'

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  • For all the shit he gets, EVS actually gives a damn about creating stuff and the medium, and he’s genuinely happy to help save entertainment and help others become successful. Compare that to Mr. July who goes out of his way to pull the rug out from everyone else.

    And this is my biggest gripe with this scene. Geeks and Gamers and FNT have increasingly shown themselves to be meaningless grifting. They don’t have an eye for talent or work ethic, they just want to hang out with their friends and make money. They’ll shill a comic or two… but only if it lines their pocketbooks.

    There’s nothing wrong with that, but they took a lot of people’s hard earned cash and destroyed the fan base and their own brands shilling lots of junk over the years while pretending to give a damn. There is no altruism here, no principle, just the endless pandering to viewers who throw money at them believing they are helping the culture war. They’re the other side of the same coin, Rippa is the Kathleen Kennedy of comics and FNT are the Pablo Hidalgos.

    The elephant is still in the room, no one has addressed the rippa situation, or how they have done NOTHING to further the fight for better entertainment. It was all hollow bullshit. Everyone’s a critic.

    It would be something if these guys ATTEMTED to do right by creative endeavors, if they shouted out Epicverse or other cool projects and tried to make a positive difference. But no, only when it lines their own pockets, and when it’s revealed it’s trash, they just sweep it under the rug, under the veil of “friendship”. It’s really easy to be friends with people who are helping you make lots of $$$.

    I still like all these guys as people, they’re fun. They’re like that friend that comes over, is loud, doesn’t have a job, and steals all your booze/ weed but you put up with them because they’re the life of the party. But as influencers and heads of this movement we’ve come to realize they bring nothing of value to the fight for culture.

    Tim Pool makes TERRIBLE music IMO, but you can tell he’s trying, he’s putting his heart into it. He’s making an effort to enact positive change and takes this seriously. He puts his money where his mouth is and gives back to the scene.

    I’m actually dreading to see how their partnership with Grumms is going to go. I fear Rippaverse 2.0. Artificially pump up a key creator, rally around them, release some shit product using the good faith of the fans, show no actual tangible value, and suck up shittons of money. Then when the project fails spectacularly because no one in these sphere knows how to create anything, sweep it under the rug and act like nothing happened.

    I worry they will monetize and subvert the culture war in gaming just as they did with comics at the cost of the medium again. They’re probably coming up with some BS organic project headed by grummz, Side Scrollers, WDW Pro, Geeks and Gamers and the whole crew are going to rally behind it, they’ll talk about how expensive gamedev is and how they’ll need lots of money to get it off the ground like Rippaverse did.

    I hope I’m wrong, but I just see all the wheels spinning up and all the grifting and shmoozing happening in real time. Rippa especially seemed interested in working with Grumms to get his game off the ground. Please, no.

    Grumms’s current game project is dead and he blows off years of stagnant development as family issues. I don’t buy it, he’s shown himself to be untruthful in regards to his history and it raises red flags. He has also shown no remarkable ability to make his own games outside of blizzard, but it’s not stopping these guys from falling over each other to build this guy up and Astroturf this new grift venture to line their own pockets as the shepherds of gaming.

    Simply put, Grumms as far as I can tell is an idea guy, he doesn’t code incredible gameplay or features. Idea guys are a dime a dozen. We’re long past the era where you could scrap together a team of comopetent devs to produce a great game, those developers are far more rare these days as this industry goes to shit. I do really like Grumms as a figurehead in this fight on Twitter, but it’s that feeling of grift I feel building up. His ascent and intentions don’t feel genuine and all these guys rising all as one just doesn’t sit right with me and this grifting is poised to have a negative affect on gaming for the same exact reason that the throng of leftists had a negative affect. Meritocracy must be king, or we’re going to end up with a cult of personality grifiting and putting out shit products destroying the medium.

    It’s so frustrating, we finally start winning this culture war and for a short couple weeks I was so damned happy seeing this cultural battle shift in gaming, to see the commies on the back foot. I had high hopes that developers who were once canceled would get eyes on them, hoped maybe publishers would be in talks about ending the rot and the political predjudice.

    I have to imagine the guys at Epicverse are pretty pissed at the blatant hypocrisy. They may not be making the best stuff, but they’re putting the hours in, only problem is it’s not going to make all that Rippaverse money so everyone turns a blind eye. There’s finally a venture in this sphere where guy are put elbow grease in and really going for it and where’s the spotlight?

    I’m an indie gamedev myself, so i take this stuff seriously. For years gatekeeping and nepotism has plagued the scene to the point only specific projects with specific idiologies could get any eyes on them from anyone. With comics it was a morbid fascination with Rippaverse as an indie creator. But now that I see some of these guys licking their lips and shilling Grumms so hard I’m VERY skeptical. I know how hard this shit is, I know how expensive it is, I know how gullible the audience is, and I truly hope these guys aren’t about to sell us more snake oil.

    Never imagined things would unfold like they would a year ago, but here we are. It’s still fun to be part of this scene, but the grifting has been exposed, the lack of accountability has been exposed, and there is that ever present fear that these grifts are going to fire it up again and get to shilling for their shitty product. Worst of all, these guys act like culture warriors, they act like they give a damn about entertainment, they act like they care about creative endeavors, but they do fuck all about it. Only thing they give a damn about is $$$.

    Glad EVS is doing this stuff to uplift other creators, it really sheds a light on the hypocrisy of these in-crowd grifters. I’m sure he’s partly motivated by spite and to make Rippa look bad, doesn’t change the fact he’s actually doing good.

    This scene has turned into another layer to the monopoly and gatekeeping holding back creators from breaking in.

    Anyway, enough angsty blathering about silly drama, I’ve gotta go get to work on my project doing endless tedious bullshit to hopefully produce something of value. Something this scene has absolutely not concept of or respect for.

    #314217

    Yeah I can’t say i had the patience to read the past 6 pages of arguments. What’s the point? There really isn’t any nuance to these conversations or interesting points made.

    It all boils down to people making straw men of one another and using these knee jerk social judgements to tear people down. People scream “Nazi” people claim bigotry or whatever absolute modern judgements they can and claim victory. That’s the woke paradigm right there, talk in circles long enough about skin colors and Nazis and eventually end the conversation with “everything is racist” and that’s why everything going down the tubes is fine.

    Idiocracy kinda hit the nail on the head, everything is going to hell, but our education systems are pumping out so many mindless drones incapable of scrutiny for tyrannical government at large that no one realizes how boned we are.

    Glad you think everyone is created equal. We should all aspire to give everyone a fair shake and look beyond our prejudices, whether those be towards outward appearances or surface level ideological perceptions.

    “Nobody is equal to anybody. Even the same man is not equal to himself on different days.” — Thomas Sowell

    People often confuse the foundational ethos of this nation to be “everyone has to be equal and given equal things, and wrongs of the past entitle me to more sh*t than you.”

    But that’s not what the American dream is. The American dream was about people tired of the bullshit, sailing off to bumfuck nowhere to get away from all the taxes and everyone’s noses in their business so they could work hard with other people working hard to make a great society free of tyranny and commies enjoying the fruits of each others hard labor.

    And what came of all these crazy mother fuckers telling the King and the Queen to kiss their ass? World peace, radically reduced hunger, the industrial revolution, a new golden age of cultural, medical, and technological ascent.

    And we’re about to throw it all away with the same up your ass in your business, elitist high and might moralists dictating hard working talented people aren’t allowed to steer the ship any more because they “had their turn”.

    News flash, hard working, talented, independent people of all creeds busting their ass for a small sliver of all of human history brought more peace and prosperity in a gnat hair’s breadth of time than all the heavy handed social governances that have plagued society, forcing the in-crowd elites and their sycophants into all positions of wealth and power.

    #290602

    Every year, I rank the best animated movie of the year and the number of picks is different each year as well. I hope you enjoy my picks.

    7. Strange World – 3/4 stars.

    I think I liked this a bit more than last year’s “Raya” and “Encanto.” The movie didn’t make me as angry or frustrated over some of the decisions, it was fast-paced and sweet. I liked the performances of Jake Gyllenhaal, Dennis Quaid, and Jaboukie Young-White, I love the visuals and creatures that remind me of something drawn by Wayne Barlowe, and kudos to Disney introducing its first openly LGBTQ main character in a movie.

    6. Lightyear – 3/4 stars.

    This movie was cool for what it was. I liked how it was designed to act like perhaps a remake because of the story points like Zurg’s identity don’t make sense from the original versions, but somehow fit with usual space/time-travel films, and how it’s designed to have potential for sequels. I doubt that’ll happen, but who knows. I liked the visuals, realistic design, characters, action sequences, and Michael Giacchino’s score. Great performances by Chris Evans, Keke Palmer, Uzo Aduba, Taika Waititi, Pete Sohn and Dale Soules.

    5. Turning Red – 3/4 stars.

    There are aspects of the movie that remind me of “Encanto,” and I think they were handled better. The anime-like expressions made in the animation were hilarious, and the characters were charming. Nice and sweet. The 2000s setting takes me back to my adolescent years.

    4. Pinocchio – 3/4 stars.

    Guillermo del Toro creates a bold reimagining of Carlo Collodi’s tale about a mischievous puppet trying to do good in a world plagued by fascism and war. It’s kind of ironic since you were to follow rules no matter the consequence those days in those countries, like a puppet ;) I love the realism of the story’s aspects, and had some good performances by Ewan MacGregor, David Bradley, Tilda Swinton, Christoph Waltz, Ron Perlman and Gregory Mann. It’s the best adaptation since Disney’s take, not the remake I mean.

    3. The Sea Beast – 3.5/4 stars.

    I was excited for this movie, and it did not disappoint. Great action and creature designs, I liked the themes that were reminiscent of How to Train Your Dragon. Great performances by Karl Urbans, Zaris Angel-Hator, and Jared Harris.

    2. Puss in Boots: The Last Wish – 3.5/4 stars.

    Major improvement over its predecessor with colorful visuals and art style, stylistic action, fun new characters and a poignant story of how to live your life to the fullest, and the Western motifs were great too. Good performances by Antonio Banderas and Salma Hayek and I loved Florence Pugh as Bo Peep and Wagner Moura as the Wolf.

    1. The Bad Guys – 3.5/4 stars.

    This movie surprised me, it seriously did. The animation style was intriguing from the trailers, but I loved it even more with its action similar to Lupin III and the works of Hayao Miyazaki. Great performances, great story, cool character designs, stylish music. It’s heist vibe got me to watch Ocean’s Eleven and Ocean’s Eight this year and they did not disappoint. DreamWorks has earned it.

    • This topic was modified 1 year, 10 months ago by SharkMan12.
    #203992
    Anonymous

      With me attempting to 100% abandon big tech sites (except youtube, for now), I am going to try to be more active in sites that support freedom of expression and speech.
      On Facebook and Parler, over the course of the last month, I have shared the 20 games I discovered last year.
      I didnt play many games released last year, which is why I say DISCOVERED. Not 2020 Games of the year.

      20. Gravity Rush Remastered : Interesting concept that doesnt always deliver but is fun, for the most part
      19. Maneater : You’re a mother fucking shark eating things and it takes subtle shots at political correctness.
      18. Senran Kagura : Fan service aside, it’s actually a really fun, if jank, hack-n-slash game.
      17. Dead or Alive Xtreme 3: Scarlet  :  Fan service is the entire point and I dig it, fight me. haha. I like the VR mode to.
      16. Rabi-Ribi : A metroidvania/bullet hell that is so good and challenging you’ll forget about it’s fan service.
      15. Destory All Humans (Original) : You get to abduct and anal probe people. It’s great.
      14. Rocket Arena :  A fun take on arena hero shooters that is very fun casually
      13. A Plague Tale: Innocence  :  Gameplay isnt great but the story makes up for it
      12. Mary Skelter: Nightmares  :  A solid dungeon crawler JRPG with a very interesting story
      11. Marvel’s Spider-Man :  A casualised Arkham game with a trash story. It’s fun because it steals from the best.
      10. Cyberdimension Neptunia: 4 Goddesses Online : If you’re a fan of the series, it’s one of the best in it.
      09. Tales From The Borderlands : Havent played the main series but this is the best non-Batman Telltale title.
      08. Lightning Returns: Final Fantasy XIII : Story is so bad it’s brilliant. Core gameplay is fun but far from perfect.
      07. F.E.A.R.  :  Controls show their age but the gameplay loop and story are really solid and engaging.
      06. Rogue Company : The best option if you want Valorant on consoles.  Really solid squad based game.
      05. Terminator: Resistance : The best piece of Terminator media released after Judgement Day
      04. Ion Fury : A really solid spiritual successor to Duke Nukem with a sexy, bad ass, cop lady.
      03. Final Fantasy VII Remake: Other than a few nitpicks, this game doesnt do much wrong.
      02. Cosmic Star Heroine : Nintendo era JRPG awesomeness without hours of grinding
      01. Final Fantasy XIII-2 : Has cryptic design choices but, overall, I very solid and engaging title. The story is dumb but everything else comes together so perfectly that this is one of the most memorable games I’ve ever played. Stuck with me so much it took me a month to get into another game. Not as good XIII but, even though it’s very divisive, I, highly, enjoy the XIII series.

      #201220

      So as I was going through work one day, processing movies and letting my mind wander as it usually does, when one such thought passed through as I saw an old VHS copy of Disney’s Hercules pass me by. I had always liked that movie despite gripes people had here and there. Then I thought about it and it hit me. As wildly different and out of sync from the original Greek myth as it is, I actually think the character arc of the Disney version of Hercules is quite brilliant. Both in its writing and execution. It works extremely well as a fish out of water story and of one finding, and earning one’s place in the world.

      In the movie, Hercules, regardless of how much he meaningfully tries to be of help to who he thought were his fellow mortals, just can’t fit in. He uncontrollably breaks everything he touches due to his awesome strength. He knows he’s different but doesn’t know why or how that is, or what to do about it, and he’s desparate for answers. Then his adopted parents tell him the truth, that he had been found with nothing but a medallion inscribed with the symbol of the Gods of Olympus. Given a new direction and a new sense of purpose, Hercules travels to the Temple of Zeus, where from the King of the Gods himself he learns he’s his son and the lost child of Olympus. Zeus further encourages Hercules to study under the satyr Philoctetes to learn how to control his strength, to use that strength for heroics and learn what it means to be a hero so as to earn his place on the pantheon. Which he does and proceeds to do great things in Thebes. He slays monsters assaulting civilians and monuments are built in his name. Hercules is quite proud of himself and all the good he’s been able to do. For the first time in his life he’s recognized in a positive light and gained the respect he has long sought after. Zeus is happy for him, but he can’t ascend his son to godhood. He could, but he doesn’t feel Hercules has truly earned it yet. He may have gained recognition as a hero, but Zeus argues fame and heroics are not the same thing, and that he must discover the answer for himself. Hercules is of course extremely frustrated and confused why Zeus can’t accept him back to Olympus. He may be doing the heroics that were asked of him and gaining the respect he’s long desired, but he hasn’t yet figured out the why for any of it. All the same Philoctetes gives him words of encouragement and that they’ll both find the answer. It’s when Megara and the drama that happens with her that his character is further tested. Hercules is smitten with the girl but fails to realize she’s under Hades’ employ, a fact Philoctetes figues out and tries to warn his most prized student about, much to the disbelief of Hercules. Eventually Hercules is met by Hades himself and shown the truth of things. Hades could not kill Hercules indirectly through the Hydra and all the various monsters he’s sent after him, so he goes for his heart instead. Give up your strength, I spare the woman you love. Keep your strength, I take her away. Yet despite how much Megara had deceived Hercules and how much he feels betrayed, he gives up his strength for her life. Hades saps Hercules of his strength and proceeds to unleash the Titans from the pits of Tartarus, one of them gunning for Hercules on Hades’ orders, and rampages across the city of Thebes to lure him out. Despite being downgraded fully to the level of a mere mortal, Hercules can’t stand watching the civilians who depend on him be destroyed. Megara begs him not to go out there lest he be killed. But he’s already made up his mind, and goes to challenge the cyclops anyway, if only to at least keep the giant’s attention off the people. Inspired by his selflessness, Megara brings back Philoctetes, who consuls a beaten, battered Hercules. He may have lost his strength, but he still has his mind. So he uses his wit to outsmart and trip the cyclops to its death. But just as a loose pillar comes falling down to kill the weakened demigod, Megara pushes him out of the way and she’s crushed in his place. Seeing what she’s done and struggling to lift the pillar, Hercules’ old strength returns to him. Megara tells Hercules not to worry and to go stop Hades and the Titans. Which he does, much to a very elated and proud Zeus and fellow Olympians. Then she dies. Philoctetes tries to comfort Hercules, that there’s some things that even his strength can’t change. Undaunted, Hercules goes down to the Underworld to retrieve Megara’s soul from Hades. Now wise to his tricks, he attempts to make his own deal with the God of the Underworld: Trade her soul for his. Hades opts not to deal, claiming it’s too late, but that Hercules is welcome to try and get his lover’s soul back from the river Styx before she drifts away anyway. So that’s what he does. Hercules dives into Styx’s waters, the anti-life energies aging him and wasting him away, yet he persists the deeper he swims. And just as he’s about to have his life cut by the Fates, something else happens. In risking his life to save those he loves, Hercules reawakens his full godliness that had been lying dorment and seemingly taken away from him as a child, and rises out of the river Styx with Megara’s spirit in his arms. Hades is naturally shocked and outraged, and tries to stop the newly ascended Hercules from leaving, only for the reborn god to sock him away. Hercules revives Megara and is lifted up back to Mount Olympus. In risking everything to save those he loves and those who look up to him, Hercules had learned by himself what it meant to be a true hero. “For a true hero isn’t measured by the size of his strength, but by the strength of his heart.” Zeus opens the doors to Olympus for Hercules, for he had finally earned his place to come home and stand amongst the Gods of Olympus. The keyword being EARNED. He may have been the son of Zeus, but Zeus wanted Hercules to earn his place, to learn and understand what it meant to truly stand on the mountain top. But Hercules doesn’t go with Zeus back to Olympus. He may have earned his place among his own kind, but at the same time he’s not of them. He realizes that in his hero’s journey, he had indeed found his home. A home he had carved out for himself in Thebes with his own hands. Much as he wants to be in Olympus with his father and fellow gods, Hercules opts not to return. For to be up there without the company of his friends and loved ones would only lead to a lonely existence. So with Zeus’ blessing he goes back down to Earth to live with Megara and the mortals that have accepted him. He truly had found where he belonged.

      The point I have with this long thread is that while much can be argued about Disney’s Hercules as an adaptation of the myth (Hades is especially woefully inaccurate to his mythological counterpart, much as I absolutely LOVE James Woods and his superb performance), I actually think that the film has aged very well and is just a really damn good character study. And a brilliant one that beautifully tells the exploits of a man finding acceptence in a world he wasn’t meant for, finding his own path and earning his place through the value of hard work. We have here in this version of “Hercules” a man who does not fit anywhere among us mortals and yet he tries his absolute damndest to be accepted regardless. Only to then discover what he is and where he was meant to be, where he was accepted for what he is. But at the same time he does not know who he is and must discover that answer for himself. In finding himself, who he is and what it means to accomplish great things, Hercules not only earns his place in the sun but also created a place for himself he can call home. His hard work to get where he is with those who love and respect him ultimately fulfills his sense of purpose and self worth. Admittedly the basic story isn’t wholly original for it’s one that can be found in many other stories in other mediums in different countries. The Japanese series Naruto especially comes to mind, about a ninja who’s an outcast in his village due to circumstances that were not within his control, but through hard work and determination he earns the respect of his peers. But all the same, the way Disney’s Hercules handles that same story sticks out in my mind as an excellent example of how to do it right regardless. It’s honestly stories like this that makes me truly long for the old Disney, back when Hollywood and Western media actually KNEW how to write good characters. Where morality tales weren’t vapid and hamfisted in our faces. Where “wokeness” and hackneyed decisions by corporate SJW pandering didn’t plague us as they do now. Where responsibility actually meant something. And the lessons of Disney’s Hercules and how well they were utilized especially still ring true in my mind long afterwards, which is why I can’t help but appreciate it as a film more in this day and age. The values of self respect and duty. Duty not just for its own sake or just for those who accept you, but duty to yourself. And that through your own strength and hard work, you to can also go the distance.

      Anyway that’s my thoughts on this movie. What are you guys’ thoughts? Any other movies of the hero’s journey, Disney or otherwise that should be mentioned? Comment below.

      • This topic was modified 3 years, 11 months ago by AlexKogan54.
      #172113
      Anonymous

        I don’t know whether you are indirectly calling me and others who have responded to you here dishonest, purposefully contrarian, and less than smart; or maybe that wasn’t your intention.

        Regardless, speaking for myself, my feelings about TLoUP2 are consistent with those I’ve had for other games in the past, and I do believe my response to you above (#171060) was honest. Furthermore, my contentions with the game don’t have anything to do with SJW elements at all.

        I don’t like elements in a game that exist solely to trigger emotions.  In other words, I don’t like to be jerked around.  Why would anyone?  I avoided “A Plague Tale” because I knew that in the beginning of the game, there is a friendly dog, a named NPC technically, and it is pet-able.   Then, still early in the game, the dog runs off and is killed.  The dog exists, is friendly, has a name, and is pet-able, only to make the player feel loss — i.e, sad and upset.  Its a cheap emotional trigger, and I hate that tactic.  I strongly dislike having my emotions manipulated by video game developers, particularly to trigger negative ones (such as sadness, loss, anger, etc., ) for their own sake, having no relevance to the main story.  In my response to you, I mentioned being forced to kill named dogs in TLoUP2 (if you manage to avoid all of them yourself, the game will still show you killing one in a cut scene).  Killing those dogs has nothing to do with the story.  For myself, that is a very consistent contention, and also honest.

        I have another point of contention with the story that I described in detail in this thread, about the death of Abby’s father vs. Joel and the motivations involved.

        While my personal, very specific, reasons for choosing not to play TLoUP2 might differ from the majority here, my ultimate conclusion is anything but “contrarian” on this website (contrarian means “opposing or rejecting popular opinion”); perhaps you were referring to a broader scope; however from what I’ve seen, the opinion of this game remains mixed, at best.

        P.S. I watched the video by “videogamedunkey” and he said something at 4:44 that IMO is incredibly dishonest:

        The truth is I don’t know why people are mad at this game….”

        (He says that immediately after describing why many people are mad at this game) … And then he continues:

        “…’cause they don’t know why they’re mad.”

        Oh contrare! Fans know exactly why they are mad at this game. I get it. It’s clear to me. If anyone else doesn’t know why, even after watching videos and reading posts describing the reasons, I don’t think they’ll ever understand. But to conclude that, because oneself doesn’t understand why other people are upset, means that “people who are mad don’t know why they’re mad” — now that is dishonest.
        They know why. They’ve said why, over and over and over.

        You just don’t understand the contentions, and that’s OK by me. I sincerely hope you enjoy the game, if you play it.

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